VibraType | The type of "Vibra" you want, the oscillators used means the more detail (and the more CPU used), these do not include the additional custom oscillators:
"Quick Vibra" (5 osc)
"Vibra I" (5 osc)
"Dark Vibra II" (6 osc)
"Bright Vibra II" (6 osc)
"Phat Vibra X" (6 osc)
"Vibra III A" (8 osc)
"Vibra III B" (7 osc)
"Vibra SK 1" (6 osc, not harmonic)
"Vibra SK 2" (6 osc, not harmonic)
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WaveType1 |
Sets the first waveform slot, different waveforms will sound different.
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WaveType2 |
Sets the second waveform slot, different waveforms will sound different.
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Tuning |
Your not stuck to "standard" tuning, also has a setting to tune to Arguelle's Guru Series and another being "Alt-Tune" (just a random tuning). After the first 3 settings you can set tuning manually.
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VCA-Attack | Amount of time that the attack (starting) part of the envelope takes. shorter times makes the sound more stabby. |
VCA-Decay | The amount of time after the attack part of the sound envelope |
VCA-Release | The amount of time the sound fades out after note-off |
AntiClick | Just a basic delta restrictor parameter, it doesnt do much however. |
BitSaturate1 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate2 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate3 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate4 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate5 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate6 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate7 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
BitSaturate8 | creates harsh noise, the more the 8 bit saturates are lined up, the less harsher |
OSCM1:Vol |
Frequency Modulator 1 Oscilator volume. |
OSCM1:RFreq |
Frequency Modulator 1 Oscilator frequency |
OSCM1:Type |
Type of frequency modulation that is done on the oscilators (and which ones) |
OSCM2:Vol |
Frequency Modulator 2 Oscilator volume. |
OSCM2:RFreq |
Frequency Modulator 2 Oscilator frequency. |
OSCM2:Type |
Type of frequency modulation that is done on the oscilators (and which ones) |
AdditionalOSCs |
Additional oscilators that are used as well |
OSCs:WaveType |
The waveform that the extra oscilators will use |
OSC1:Vol |
Oscilator 1 Volume |
OSC2:Vol |
Oscilator 2 Volume |
OSC1:RFreq |
Oscilator 1 Relative frequency |
OSC2:RFreq |
Oscilator 2 Relative frequency |
Filter:Type |
Type of Filter used:
No Filter -
LP - 12dB/oct Lowpass filter, this filter takes out the high end
Moog LP - 24dB/oct Moog self-oscilating filter
HP - 12dB/oct Highpass filter, this filter takes out the low end
BP - Bandpass filter, this filter creates a peak with both low and high ends taken out
BR - Bandreject filter, this filter creates a hole in the frequency spectrum
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Filter:CutOff | The frequency where the filter's resonance peak is. |
Filter:Resonance | The amount of resonance that is made at the cutoff, high values give more sound. |
Inertia | The Inertia of the OSCM part of the synth |
SustainVol |
Sustained volume of the sound |
FltNote:Filter |
No Filter
Note LP - 12dB/oct LP filter where the note frequency is the cutoff
Note LP Moog - 24dB/oct LP filter where the note frequency is the cutoff
Note HP - 12dB/oct HP filter where the note frequency is the cutoff
Note BP - BP filter where the note frequency is the cutoff
Note BR - BR filter where the note frequency is the cutoff
Notex2 LP - 12dB/oct LP filter where the note frequency x 2 is the cutoff
Notex2 LP Moog - 24dB/oct LP filter where the note frequency x 2 is the cutoff
Notex2 HP - 12dB/oct HP filter where the note frequency x 2 is the cutoff
Notex2 BP - BP filter where the note frequency x 2 is the cutoff
Notex2 BR - BR filter where the note frequency x 2 is the cutoff
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FltNote:Res |
Amount of resonance at the note cutoff point |